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Movie Mondays

07/31/201707/28/2017
Movie Mondays

What Is It About The Godfather?: Reconciling The “Woman” in Old Movies

Even after 45 years, The Godfather is a movie that transcends criticism. Sure, back in the day, writers liked to pretend that Brando was too “wheezy” as the role of Don Corleone

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05/29/201707/28/2017

Roger Ebert Hates “A Clockwork Orange” And I Couldn’t Be Happier

Hello, happy Monday. I just watched A Clockwork Orange, a Stanley Kubrick film. I watched it and genuinely could not extrapolate any meaning out of it, which is unusual for me, seeing as I was very charitable towards Dr. Strangelove and

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03/27/201707/28/2017

“Chinatown”: Ecofeminism, Patriarchy, and What Everyone gets Wrong About Evelyn

04/10/201704/11/2017

Honesty and Love in “Midnight Cowboy”

07/31/201707/28/2017
Movie Mondays

What Is It About The Godfather?: Reconciling The “Woman” in Old Movies

Even after 45 years, The Godfather is a movie that transcends criticism. Sure, back in the day, writers liked to pretend that

More
06/19/201706/18/2017
Movie Mondays

“But I’m a Cheerleader” Will Remind You of All The Queer Movies You’re Missing Out On

I was out of town for L.A. pride two weekends ago, which was a bit of a shame, but my friends and

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06/04/201705/31/2017
Movie Mondays

The First Manic Pixie Dream Girl was Maude from Harold and Maude

I fist saw Harold and Maude in a college class. I don’t remember which class. Like a lot of college millennials who had

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05/29/201707/28/2017
Movie Mondays

Roger Ebert Hates “A Clockwork Orange” And I Couldn’t Be Happier

Hello, happy Monday. I just watched A Clockwork Orange, a Stanley Kubrick film. I watched it and genuinely could not extrapolate any meaning

More
05/22/201705/20/2017
Movie Mondays

Westerns Are All Just About Dudes, Aren’t They?

I recently watched three different Westerns, and I have to say, I, like, get it now. Westerns are all about a man

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05/08/201707/28/2017
Movie Mondays

Who’s Afraid of Virginia Woolf?

Honestly, this review has taken me so long to write because I have no clue what to make of this movie. I’m

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04/10/201704/11/2017
Movie Mondays

Honesty and Love in “Midnight Cowboy”

This week, Movie Monday found me watching Midnight Cowboy, the 1969 film-that-couldn’t, pulled off miraculously by director John Schlesinger. Midnight Cowboy is a spectacular blip

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04/03/201705/27/2017
Movie Mondays

What “Lawrence of Arabia” and “Dr. Strangelove” Have in Common

This week for Movie Monday, I’m ranting and raving about one of my favorite topics ever–masculinity and war–with two movies that couldn’t

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03/27/201707/28/2017
Movie Mondays

“Chinatown”: Ecofeminism, Patriarchy, and What Everyone gets Wrong About Evelyn

Welcome to the first installment of Movie Mondays. This week’s movie: Chinatown. I sat down to watch Chinatown kind of on accident. I

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03/25/201704/10/2017
Movie Mondays

Movie Mondays

For my birthday this year, my boyfriend made me this amazing list of old movies that I need to see. We call

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About Me

Rachelle (rā·chƏl): Writer of culture criticism, thinker of fan theories, watcher of movies, and obsessor over kid’s shows. I am Rachelle, and I’ve been studying media, culture and feminism for over 10 years. Today, I write about what I love so I can make it better. Thanks for reading!

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018.8K views

The One Stereotype “Moana” Doesn’t Break

Disney has a few long-standing traditions for its princess movies, and Moana breaks nearly all of them. Moana (Auli’i Cravalho) isn’t white, isn’t

026.2K views

What Is It About The Godfather?: Reconciling The “Woman” in Old Movies

Even after 45 years, The Godfather is a movie that transcends criticism. Sure, back in the day, writers liked to pretend that

035.9K views

The Uncomfortable Humor in Bojack’s 3rd Season

Originally posted 8/7/2016 on The Daily Slice. — Netflix’s animated series BoJack Horseman recently premiered its third season, and already the titular character has

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Femmedia is privately run by its owner and has no affiliation with any other entities by the same name. All content uploaded to this site, unless otherwise specified, is owned exclusively by Rachelle Martin and/or the poster. Femmedia does not sponsor any people, brands, or companies.
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